Last night was almost a homecoming for Sturgill Simpson,
who was born in Breathitt County, but raised in nearby Versailles,
Kentucky. It had been over 3 years since
Sturgill had played in Lexington. Back
then, it was to rooms with a few hundred.
However, after three albums released and worldwide recognition, Sturgill
Simpson came back to two sold out shows at the Lexington Opera House.
With no opener or no cheesy introduction, Sturgill Simpson
walked out onto stage alongside his band with the crowd cheering loudly for the
state ambassador of what Kentucky country music is about. They kicked things off with “Sitting Here Without
You,” followed up with “Time After All.”
He would surprise with his wonderful rendition channeling Keith Whitley on
the Lefty Frizzell and Whitey Shaver co-written song “I Never Go Around
Mirrors.”
Sturgill Simpson showcased his vocal potential filling
the room with strong emotional lyrics that empowered and mesmerized those listening. One thing is for sure, Sturgill Simpson does
not need lights, smoke, big screens, and other gimmicks that other so called
country music acts must use to get the audience’s attention.
For the first half of the show, Sturgill Simpson showcased
selections from “High Top Mountain” and “Metamodern Sounds of Country Music.” The final hour was reserved for playing the
entire “Sailor’s Guide to Earth” album just recently released. Every song was played as if it was the last
time they would be playing those hits.
During “Voices,” Sturgill was surprised himself as the
crowd sang along, and continued to sing as he took pause. The song flowed fluidly just like a stream
rolling through the mountains of Appalachia that many call home here in
Kentucky.
There were little snippets of humor from Sturgill
throughout the show. At the beginning,
he joked, “I know that this is the Opera House, but you don’t have to be so
formal,” to the attentive crowd. He
encouraged folks to get up and dance, but to be respectful to those that are
unable to see or choose to sit. After
the crowd responded loudly at the saxophone solo during “The Promise,” it shook
Sturgill up and he lost his place. He
responded by mentioning “have you seen the movie Blue Valentine?”
For this tour, Sturgill added a 3-piece horn section, Scott Frock (trumpet), Brad Walker (saxophone), and John Ramm (trombone), that hailed from New Orleans. His bass player, Chuck Bartels and keyboard
player, Bobby Emmett, were from Detroit.
Fellow Versailles native, Miles Miller, proudly showed off his
Kentuckian shirt while singing backup and playing percussion. He would even have
garnered a standing ovation from the audience when he was introduced. Laurs Joamet of Estonia, but now “a card
carrying American” as Sturgill would note, would ease into playing guitar and
steel guitar.
Every journalist and fan has tried to explain what type
of music Sturgill Simpson plays and everyone has their own opinions. Personally, I feel that it is back to the early
roots of country music that blended in the wailing blues, Appalachian lonesome
sound, soul, bluegrass, and so much more.
If you blended the musical selections of Merle Haggard, James Brown, Ray
Charles, Bob Segar, Ralph Stanley, Conway Twitty, Roy Orbison, and Keith Whitley,
you would get the product of Sturgill Simpson.
In the end, Sturgill Simpson blew the roof off with his
powerful “Call to Arms” that really made everyone stand up and pay attention to
what is being sung. With the end, he bid
farewell to the fans who supported a great night of musical entertainment with
an enthusiastic standing ovation that lasted over five minutes.
Sturgill Simpson
at Lexington Opera House Set Let 5/16/2016
Sitting Here Without You
Time After All
I Never Go Around Mirrors
I Have to Be Crazy
Turtles All the Way Down
Life of Sin
Living the Dream
Long White Line
When the Levee Breaks
Voices
The Promise
A Little Light
Just Let Go
It Ain’t All Flowers
You Don’t Miss Your Water
Welcome to Earth
Breakers Roar
Keep It Between the Lines
Sea Stories
In Bloom
Brace for Impact
All Around You
Oh Sarah
Call to Arms
